Eighty Five Percents Of What You Remember
This performance works with seduction and emotional manipulation as statements, hypnosis and strangeness, pain and pushing the limit between the comfortable visible and the uncomfortable invisible.
Starting from questions like: how does the audience perceive/experience a dance performance? Can you penetrate the line between private/subjective experience and general/objective? Is there a recipe for inducing states not used by the mainstream media? Starting from these questions a “performance within a performance” was born during the Reedans research residency that took place in Cluj and was organised by The National Dance Center Bucharest in the summer of 2019.
The core of this performance questions states of being as a person surviving/ living in the contemporary world.
The frame for this core questions how we, as audience, watch, how do we empathize, how do we separate or not from what we see.
And everything starts with a letter addressed to the audience!
Concept and dance: Cristina Lilienfeld
Music: Alvo Noto and Marian Citu
Light design: Alexandros Raptis
Costume: Antoaneta Tica
With the support of Viktor Ruban and Cristian Iordache.
Performance produced with the support of the National Dance Center Bucharest.
Some anonymous feedback from the audiance:
“Thank you for reminding me that I am allowed to be”
“Conscience weaves and moves … and the body then makes music. In music the two co-exist. Because emotion, time, rhythm, are all flowing for no material reason. And when there is no reason, there is love.”
“There’s a lot of noise around, I think, and it’s quiet inside. Inside me and inside the stage. I can’t feel your presence here, outside. I can only feel it inside.”
– video excerpt by Alina Ușurelu